Lilit Sarkisian
Forme Sauvage
Nantes // France
Forme Sauvage
Nantes // France
Lilit Sarkisian, architecte de nationalité Russe fait partie du collectif Silteplait qui est un groupe d’architecte Parisien et a pour but de promouvoir une approche sensible, interactive et qualitative de l’architecture. Par le travail des formes, des couleurs, de l’espace et des différents sens, ils essaient toujours d’apporter une touche d’onirisme dans leurs projets. Cette invitation au rêve c’est déjà concrétisée sous des formes riches et diverses, comme une performance à la biennale d’art contemporain de Shiryaevo en Russie, l’exposition d’une collection de pièces design à la Paris Design Week, ou en¬core récemment dans le réaménagement dans bar au coeur de Paris.
Lilit Sarkisian is a Russian architects who belong to the Silteplait collective which is a group of Parisian architects and is to promote a significant approach, interactive and qualitative of architecture.
Through the work of shapes, colors, space and different senses, they always try to bring a touch of onirism into their projects. This invitation to the dream is already embodied in rich and diverse forms, such as a performance at the Shiryaevo Biennale of Contemporary Art in Russia, the exhibition of a collection design furniture at the Paris Design Week, and recently in the redevelopment of a bar in the downtown of Paris.
Lilit Sarkisian is a Russian architects who belong to the Silteplait collective which is a group of Parisian architects and is to promote a significant approach, interactive and qualitative of architecture.
Through the work of shapes, colors, space and different senses, they always try to bring a touch of onirism into their projects. This invitation to the dream is already embodied in rich and diverse forms, such as a performance at the Shiryaevo Biennale of Contemporary Art in Russia, the exhibition of a collection design furniture at the Paris Design Week, and recently in the redevelopment of a bar in the downtown of Paris.
L’émotion est une expérience psychophysiologique complexe de l’état d’esprit d’un individu lorsqu’il réagit aux influences biochimiques et environnementales. Comment une architecture vive interagit avec le cortex cérébral du curieux? Le projet agit comme un stimulus, activant les récepteurs sensoriels de chacun. L’émotion se fait donc par l'enivrement soudain des sens. De la rue, la forme indécise appelle l’indiscret, la brume perle et rafraîchit le visiteur, le parfum embaume la cour. Une forme liquide se fige. Une succession de plaques en plastique transparent rigide est assouplie par une thermo-(dé)formaion. La forme indicible, sans contour. Une forme fini à l’interprétation infini. L’idée n’est pas de produire une architecture mais bien de générer un espace saisissant. Un dispositif discret vaporise le parfum pour que cette après-midi à Montpellier laisse un souvenir de plus. Pour une telle intervention l’intimité proposée par la cour du conservatoire de musique nous semblait propice à l'évocation de la rêverie.
Emotion is a complex psychophysiological experience of an individual's state of mind when responding to biochemical and environmental influences. How does a vivid architecture interact with the cerebral cortex of the curious? The project acts as a stimulus, activating the sensory receptors of each one. The emotion is thus made by the sudden delights of the senses. From the street, the undecided form calls the nosy, the mist refreshes the visitor, fragrance hangs in the courtyard. A liquid form freezes. A succession of plates made of rigid transparent plastic is softened by a thermal distortion. The form unspeakable, without contour. A net shape with infinite interpretation. The idea is not to produce an architecture but to generate a striking space. A discreet device vaporizes the perfume. This afternoon in Montpellier leaves one more memory. For such an intervention the intimacy proposed by the court of the music conservatory seemed to us optimal to the evocation of the reverie.
Emotion is a complex psychophysiological experience of an individual's state of mind when responding to biochemical and environmental influences. How does a vivid architecture interact with the cerebral cortex of the curious? The project acts as a stimulus, activating the sensory receptors of each one. The emotion is thus made by the sudden delights of the senses. From the street, the undecided form calls the nosy, the mist refreshes the visitor, fragrance hangs in the courtyard. A liquid form freezes. A succession of plates made of rigid transparent plastic is softened by a thermal distortion. The form unspeakable, without contour. A net shape with infinite interpretation. The idea is not to produce an architecture but to generate a striking space. A discreet device vaporizes the perfume. This afternoon in Montpellier leaves one more memory. For such an intervention the intimacy proposed by the court of the music conservatory seemed to us optimal to the evocation of the reverie.
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